Indeed, culture is the way of life. It was also to recognise his contributions to Nigerian as well as world literature. Out of fear and respect, Aderopo having got answers from the shrine of Orunmila in Ile-Ife was reluctant to tell the king about the outcome of his findings in public. He named him Odewale. [5] He says that in post-colonial Africa, much of the blame over the suffering incurred by native Africans was the result of the colonial powers. He consulted an Ogun priest who told him he was cursed, that he would kill his father and marry his mother. Ishokun, in the play, is a small farming village, wherein Odewale learned to harvest yams. He further said that he was the servant of Ogundele (Odewales foster father); and on that fateful day when Odewale was rescued from death in the bush, both of them were together; for they had gone hunting. This is a play of three acts and ten (10) scenes (act 1: 2 scenes, act 2: 4 scenes, act 3: 4 scenes). He has been called "a complete man of the theatre an actor, director, choreographer and designer who created performance spaces, influenced by traditional architectural forms.". The above further reveals that the destinies of the duo are tied and can't be untie. Again, the old man insulted the village they both believed he had come from; but this time, Odewale would not accept such insult. as mission from the gods to carry out on earth (The gods are not to Blame, 2). By achieving this feat, the town of kutuje broke tradition by making Odewale the new king of their land. The two plays were probably meant as an epilogue to both Rotimi's theatrical and comic careers, which span the entire spectrum of his career. Akin Odebunmi in Motivated Proverbs In Ola Rotimi's "The Gods Are Not To Blame" uses myths and dances established in Yoruban culture that helps serve as the basis of the play. "The Gods Are Not to Blame" is a modern updating of the ancient story of disgraced Theban King Oedipus. One finds that their roles compared to King Odewale's serve as a primary example of the social aspect. Barbara Goff and Michael Simpson 2007: c2 92-93. The theme of Sophocles' Oedipus Rex is skillfully transplanted to African soil. You can follow Len Academy on twitter here.Thank you. At this moment, Aderopo came in and Odewale apologized for his wrong accusations against him. [11][12] It was in a 2005 performance at the Arcola Theater in London, however, that brought with it renewed discussion.[13]. Gbonka: The former messenger of the late King Adetusa. In a last attempt to save his life, Odewale killed the old man by striking him with a hoe. In the story of 'The gods are not to blame'; the first son of king Adetusa is _____. Gbonka was present when King Adetusa was slain at the hands of Odewale. Odewale made a vow to pluck out the killers eyes and then banish him away from the land. [2] Full content visible, double tap to read brief content. Rotimi, a patriot who shunned the attraction of the West and Europe and returned home to contribute his own quota to nation building, was a rare breed. I think that this play is an interesting play which teaches a person of not trying to hide or run away from their destiny. An ending that really breaks one's heart. Learn more. Man Talk, Woman Talk is humorous, as quintessential comedies from the author can be. Near the play's end, Gbonka retells this event to Odewale, which leads to the discovery that Odewale was in fact the son of the former king, and the son of the current queen, and his birth mother, Ojuola. He is consistently accused by Odewale of having ulterior motives to take the throne from him, going as far as to say that Aderopo had bribed the soothsayer, Baba Fakunle, of giving a false account of what is to come. Olawale Gladstone Emmanuel Rotimi, best known as Ola Rotimi (13 April 1938 18 August 2000), was one of Nigeria's leading playwrights and theatre directors. In 2000 he returned to Ile-Ife where he lectured in Obafemi Awolowo University till his demise. Rotimi's play does so not only by dramatizing this myth with certain ironic instance, but also by juxtaposing this myth with a Yoruba model of cultural transmission. Please try again. The Gods Are Not to Blame is a 1968 play and a 1971 novel by Ola Rotimi. Would have been a five if not that the ending wrenched my heart. : Rotimi spent the second half of his last creative decade reworking two of his plays Man Talk, Woman Talk and also Tororo, Tororo, Roro and the result, unpublished at the time of his death in 2002, have now been published under the title The Epilogue. The Gods Are Not to Blame is influenced by Yoruba and Yoruban culture. As the queen of the kingdom of Kutuje, she finds herself serving as Odewale's conscience, calming him when he begins to act irrationally. Additional gift options are available when buying one eBook at a time. You could purchase guide Gods Are Not To Blame Novel or acquire it as soon as . Book reviews, interviews, editors' picks, and more. Ola Rotimi had an immense knowledge and interest in African cultures, as indicated in his ability to speak several ethnic languages, such as Yoruba, Ijaw, Hausa, and pidgin. The Gods Are Not to Blame is a 1968 play and a 1971 novel by Ola Rotimi. When Odewale saw his dead wife (who is also his mother), and realizing he had killed his father, he pulled the knife from her stomach and plucked out his own eyes. One of the chiefs was with him when this happened. Odewales character experiences different phases of confusion, almost painful in its helplessness, that the reader will become sympathetic to his plight, cursing fate for dealing him with such a heavy hand. The Gods Are Not to blame is full of irony, despair, and disillusions. Later, Ojuola explains that Baba Fakunle made her kill her first born son, convinced that her first son had brought bad luck. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. People made dramatic entry and exit to the stage around his casket with the man turning his casket. If not for the educational benefit just read it for fun. in his play 1he gods are not to blame.t Whereas the action of Soyinka's play is set in Greece, Rotimi has transplanted his play to Africa and has also changed the . The son was their first baby. Aderopo: Brother of Odewale, and son of King Adetusa and Ojuola. The gods are not to blame: The story is the sad tale of a man named Odewale who has been destined from birth to kill his father and marry his mother. Femi Elufowoju Jr had his first theatre experience in 1975, at the age of 11, when he saw a revival of this very play, performed in a reconstructed Greek amphitheatre at a university campus in Ife; and brought it to the UK shores as a British leading theatre director under the company name Tiata Fahodzi. Only few people knew that the child wasnt theirs, but little did they know concerning whom his true parents were. , X-Ray Word Wise helps you read harder books by explaining the most challenging words in the book. Line: 315 Reviewed in the United States on October 8, 2005. In the economic structure, one observes the resources the Yoruban culture considers vital to maintain wellness and health. All the messages conveyed, although bring the play together and provide the audience with insightful readings, the play may also serve as a symbol as to how some of the African societies model the structure presented in the play. Not too long, an old friend of king Odewale, by name Alaka from the town of Ijekun visited the palace of kutuje. The leadership in the play forms a comparison to that of the King and many of the townspeople. Man Talk, Woman Talk is humorous, as quintessential comedies from the author can be. [9][10] It was nominated for an award at the ESB Dublin Fringe Festival 2003. Rotimi is sure to be remembered as a model in the literary genre whose views have shaped the conduct of the theatre and whose plays have demonstrated the power of drama to shape the thinking of the society and attempted to solve some of the problems encountered in everyday living. Two examples of the way proverbs do this can be cited from the Yoruba culture", Dictionary of Literary Biography Complete Online, "Preview: The Gods Are Not To Blame, Arcola Theatre, London", "Ola Rotimi: The Man, The Playwright, and the Producer on the Nigerian Theater Scene", https://en.wikipedia.org/w/index.php?title=The_Gods_Are_Not_to_Blame&oldid=1101435945, Plays based on ancient Greek and Roman plays, Short description is different from Wikidata, Wikipedia articles needing clarification from July 2015, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 31 July 2022, at 01:20. Because of its subject matter, The Gods Are Not to Blame is the most accessible of his plays. The Gods Are Not To Blame made its dbut in Nigeria in 1968. Sorry, there was a problem loading this page. [nb 1]. Both run Hotel Kilimanjaro with different motives and a chance meeting between them elicits lessons as both share each others problems. When Alaka reminded him of their encounter in the past, the truth was exposed that Odewale is indeed the son of the late Adetusa, the king of kutuje whom he himself (Odewale) murdered on his farmland. It was also interesting to see how Odewales destiny led him back home, especially when he turned out to be a good ruler of his people. In an attempt to avert the curse, he ran away from his adoptors, Ogundele and his wife Mobike whom he thought to be his parents at that time. Odewale placed a curse on anyone who attempted to stop him, for they wandered as far as possible from the land of kutuje, thus fufilling the promise he made on whoever had killed king Adetusa, his father. What the author arrives at is not to prove which gender is superior but to show the complementary roles of men and women. Would have been a five if not that the ending wrenched my heart. Aderopo gives good news to Odewale from Orunmila concerning the sickness going around the kingdom, but along with the good news comes the bad. The Ogun priest made attempts to hide the truth from Odewale whereas queen Ojuola had already gone into her bedroom and stabbed herself to death (because it's now clear to her that she had married her first son who killed king Adetusa, her husband). Who is to blame in the play? Many Nollywood actors, writers, directors and producers studied under him. , File size The priest of Ifa, Baba Fakunle (a blind soothsayer) cast his opele and said; This child would kill his father and marry his own mother. Line: 107 . She was given a prophecy, along with King Adetusa, that their child, Odewale, would one day grow up to usurp the thrown, killing his father and marry his mother. He therefore banished Aderopo from his kingdom. The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. We are sorry. Page Flip is a new way to explore your books without losing your place. Things Fall Apart (African Trilogy, Book 1). The use of myths with dances in the play. Publication date. Odewale finds out that the man who is cursed killed King Adetusa I. The names of the children are: Adewale, Adebisi, Oyeyemi and Adeyinka. Rotimi's play has been celebrated on two counts: at first scintillating as theatre and later accruing a significant literary aura. Line: 24 King Odewales progress towards a full knowledge of the murder and incest that must be expatiated before his kingdom can be restored to health is unfolded with a dramatic intensity heightened by the richness of the plays Nigerian setting. Message: Undefined variable: user_membership, File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php File size. When new books are released, we'll charge your default payment method for the lowest price available during the pre-order period. Function: view, File: /home/ah0ejbmyowku/public_html/application/controllers/Main.php Hazel (his wife) died and Ola Rotimi returned from her funeral in the US to the dream home they built in Ile Ife, only to die in it from heart failure two months later. First performed in Nigeria in 1968, The Gods Are Not To Blame was produced at the Arcola Theatre in Hackney, London, in 2005. The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. Simply suggest, the use of language is part of culture. The comical character Alaka, for example, represents Odewale's childhood growing up in the village of Ishokun. The Epilogue: Two unpublished plays of Ola Rotimi. [1] An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land. His father father does to Odewale what European colonizers did to Africa. An adaptation of the Greek classic Oedipus Rex, set in an indeterminate period of a Yoruba kingdom, the story centers on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events. King Odewale's progress towards a full knowledge of the murder and incest that must be expatiated before his kingdom can be restored to health is unfolded with a dramatic intensity heightened by the richness of the play's Nigerian setting. If not for the educational benefit just read it for fun. Queen Ojuola and the Ogun priest realized the truth. He brings his sick children for the town to see, that way they know that his family is also suffering. Femi Elufowoju Jr had his first theatre experience in 1975, at the age of 11, when he saw a revival of this very play, performed in a reconstructed Greek amphitheatre at a university campus in Ife; and brought it to the UK shores as a British leading theatre director under the company name Tiata Fahodzi. The book began with a prologue. "Proverbs deal with issues that border on the values, norms, institutions and artifacts of a society across the whole gamut of the people's experiences. It is comical and the language used is a version of "Nigerian English" (for example: "Se you get?" Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. I had an indepth analysis of the topics and themes of this book and it is worth every bit of the paper it's printed on. Consulter l'avis complet. Number of Acts and Scenes There was a problem loading your book clubs. My rating reflects the level of service I received - not the item itself. There was an error retrieving your Wish Lists. acquire the Gods Are Not To Blame Novel member that we nd the money for here and check out the link. It also analyzed reviews to verify trustworthiness. In the last part Odewale leaves. Get help and learn more about the design. Line: 478 To nullify his cursed destiny, he ran away to Ede, a distant land where he bought a farmland at Orita-meta (meaning the place where the three foot paths meet). [clarification needed] To prevent this from occurring, King Adetusa orders for Odewale to be killed. On this Wikipedia the language links are at the top of the page across from the article title. Recognizing the quirk ways to acquire this books Gods Are Not To Blame Novel is additionally useful. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club thats right for you for free. When the frog in front falls in a pit, others behind take caution. Alfred Ajibola | Powered by, Please support Len Academy by becoming a sponsor, patron or by advert placement: +2348038093033, Summary of the gods are not to blame by Ola Rotimi, her first son would kill his father and marry her, Contact Len Academy for a standard website at an affordable price. His book African Dramatic Literature: To Be or to Become? People made dramatic entry and exit to the stage around his casket with the man turning his casket. It particularly highlights the emotional language used in the drama. The Gods are not to be blame is a story of a mans fate. He attended St. Cyprian's School in Port Harcourt from 1945 to 1949, St Jude's School, Lagos, from 1951 to 1952 and the Methodist Boys High School in Lagos, before travelling to the United States in 1959 to study at Boston University, where he obtained a BA in fine arts. king odewale who told will kil his father to marry his mother, in his attempt to run away from this to happen, ran to fulfil it. She further narrated how Baba Fakunle had prophesied that her first son would kill his father and marry her. The only way deemed best to avert this was to kill him What happens to this child? In fufillment to their custom, the son was taken to the priest of Ifa to tell what the boys future would be. Baba Fakunle: A blind, old man, Baba Fakunle serves as a soothsayer to those who seek him. [5] He says that in post-colonial Africa, much of the blame over the suffering incurred by native Africans was the result of the colonial powers. His orders concerning this quest as quoted from the play (story) states thus: 'We have sent Aderopo to Ile-Ife, the land of Orunmila, to ask the all-seeing god why we are in pain.' After 11 peaceful years had passed in the reign of Odewale as king of kutuje, a mysterious sickness struck the land and plagued the people of kutuje; of which many died from. : To this Rotimi argues that while some of the suffering may have been the result of attempted colonial conquests, the lingering animosity that is felt and dispersed among fellow Nigerians, by fellow Nigerians, cannot be blamed solely on an outside party. It reminded Nigerians of one of its most . But beautiful, beautiful twists I didn't see coming. Kindly share this article via the links below: LinkedIn Becoming a king in kutuje in such a manner comes with a tradition which is: The new king must marry the wife of the late king. Please Register here or Login here to contribute to this topic by commenting in the box below. The estimated length is calculated using the number of page turns on a Kindle, using settings to closely represent a physical book. Odewale brings real facts to the people of the land. It was launched again in February 2004, Bisi Adigun and Jimmy Fay's Arambe Productions presenting what Roddy Doyle described as an exhilarating and exciting version of the play to the O'Reilly Theatre. The gods are not to blame by Ola Rotimi is an interesting story whose core value is placed on justice,equity and fairness. Brief content visible, double tap to read full content. Please like and follow our official facebook page here for great educational write-ups. He was born in Sapele, Nigeria; cultural diversity was a recurring theme in his work. It's a masterpiece where justice is given a core value in our society and how justice and equity cannot be undermined. I believe this scholar is claiming to the idea that proverbs deal with issues in the Yoruban culture. 'The Gods Are Not To Blame' is a 1968 play and a 1971 novel by Ola Rotimi. Reviewed in the United States on May 7, 2009. Although his adding of an allegory of colonization and decolonization was a nice bonus, and I did love the ending scene and quote: "It is always best to keep your words soft and sweet, you might never know when you'd have to eat them". It is comical and the language used is a version of "Nigerian English" (for example: "Se you get?" Want to Read. The leadership in the play forms a comparison to that of the King and many of the townspeople. Alaka: Odewale's childhood friend. The book is absolutely wonderful. Had to take the staples out and put the pages in chronological order then start reading again. Despite his best efforts to curb the prophecy that his child, Odewale, would grow up to take the throne by murdering him, he is inevitably slain when he encounters his son, now fully grown, in the village of Ede. His father father does to Odewale what European colonizers did to Africa. Odewale was henceforth disturbed with his identity, and subsequently went in search of answers. His parents tried to stop fate by decreeing his death at infancy. Learn more. The Gods are Not to Blame Ola Rotimi Oxford University Press, 1985 - African drama (English) - 72 pages 5 Reviews Reviews aren't verified, but Google checks for and removes fake content when it's. Instead, he is wrapped in a white cloth (symbolizing death) and left in a bush far from Kutuje. The old man happens to also be his father, though Odewale is not aware of this at the time. create no mistake, this wedding album is truly recommended for you. Rotimi spent the second half of his last creative decade reworking two of his plays Man Talk, Woman Talk and also Tororo, Tororo, Roro and the result, unpublished at the time of his death in 2002, have now been published under the title The Epilogue. [4] In his work, Rotimi took traditional Yoruban myths, songs, and other traditional African elements, and applied it to the Greek tragedy structure. The play consists of three acts and ten scenes as follows; Ola Rotimi's The Gods Are Not To Blame is the series of unfortunate events that occur in King Odewale's life. A chilling taboo. The story is a well-grounded literary piece on an unfortunate man named Odewale, the king of Kutuje. The Gods are not to blame was first performed in Nigeri .more Get A Copy Kindle Store $5.00 Amazon Stores An adaptation of the Greek classic Oedipus Rex, the story centres on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events by the gods of the land.. Yet, instead of a Greek village, the author sets the story in the fictional Yoruba town of Kutuje, while referring to real places in Western Nigeria, such as Osun, Ilorin, Ibadan, and more. When Odewale became an adult, an uncle of his told him of his cursed destiny in a proverbial manner. These ebooks can only be redeemed by recipients in the US. The two plays were probably meant as an epilogue to both Rotimi's theatrical and comic careers, which span the entire spectrum of his career. The playwright intended for the book to be a sign post for the need for obedience in our society. Odewale further said that he could no longer stay on his farmland because human blood had been shed on it. Two examples of the way proverbs do this can be cited from the Yoruba culture", Dictionary of Literary Biography Complete Online, "Preview: The Gods Are Not To Blame, Arcola Theatre, London", "Ola Rotimi: The Man, The Playwright, and the Producer on the Nigerian Theater Scene", https://en.wikipedia.org/w/index.php?title=The_Gods_Are_Not_to_Blame&oldid=1101435945. Each chapter will include a brief sketch of the authors life, a resume of the plays, and the development of major and minor characters. In 1966 he obtained an MA from Yale School of Drama, where he earned the distinction of being a Rockefeller Foundation scholar in playwriting and dramatic literature. Line: 68 Odebunmi (2008) then says, language, therefore, expresses the patterns and structures of culture, and consequently influences human thinking, manners and judgement. Photo: NZ Herald. Ogundele had pity on the baby and adopted him. Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them. Using your mobile phone camera - scan the code below and download the Kindle app. Diminutive in size but a giant in drama in Africa, he was one of the best things that could have happened to the literary community. By juxtaposing Alaka in Odewale's new environment, Kutuje, Rotimi illustrates the cultural differences between traditional Yoruban life, with that of the industrialized west. : At birth his parents joy was cut short when they find out from the oracle that their first son was destined to bring them calamity! Follow authors to get new release updates, plus improved recommendations. InOla Rotimis version of the Greek mythology about cursed Oedipus, we see a relatable Yoruba man named Odewale a strong willed man who becomes the very thing he ran away from. Do you believe that this item violates a copyright? (1971) Ovonramven Nogbaisithe title character simply luxuriates in the grandeur of his office. It had its first performance in Nigeria at the Ife Festival of the Arts in 1968, has since been staged with great success in other West African countries, and was awarded the first prize in the African Arts/Arts d'Afrique playwriting contest in 1969. If there is any theme that stood out for me, it was the inevitability of reaping what you sow. Please try your request again later. (1966) Our Husband Has Gone Mad Againdepicts the cocoa farmer and businessman Lejoka-Brown as a self-seeking, opportunistic leader who could make better contributions to his country outside of the political arena. The book is a great read, one that will have you envisioning every aspect of it, making it seem that you are actually watching a theatre performance. Contact Len Academy for a standard website at an affordable price. I believe this scholar is claiming to the idea that proverbs deal with issues in the Yoruban culture. He comes to Kutuje to tell Odewale that the man he called father had passed two years prior and that his mother, though old, was still in good health. His later dramas include The Gods Are Not to Blame (produced 1968; published 1971), a retelling of Sophocles' Oedipus Rexin imaginative verse; Kurunmi and the Prodigal (produced 1969; published as Kurunmi, 1971), written for the second Ife Festival of Arts; Ovonramwen Nogbaisi (produced 1971; published 1974), about the last ruler of the Benin empire; and Holding Talks (1979). In the Yoruban culture, like many others, have symbolic. Meanwhile, Alaka told him that the people he thought were his parents were not his real parents. The novel is set in an indeterminate period of a Yoruba kingdom. Redemption links and eBooks cannot be resold. Primary example of the King and many of the duo Are tied and can & x27. There is any theme that stood out for me, it was also to recognise his contributions to as... Did they know concerning whom his true parents were for example: `` Se you get? that deal! 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Life, Odewale killed the old man, Baba Fakunle: a blind, man! '' ( for example: `` Se you get? Rotimi 's play has celebrated! Or acquire it as soon as staples out and put the pages in chronological order then start Kindle... This happened, book 1 ) happens to this topic by commenting in play. People he thought were his parents were not his real parents was slain the. Oyeyemi and Adeyinka Trilogy, book 1 ) acquire it as soon as no mistake, this album! Others problems the above further reveals that the people of the children:. Justice, equity and fairness that her first born son, convinced that her first had. Long, an old friend of King Adetusa i wherein Odewale learned to harvest yams box below clarification ]... Know concerning whom his true parents were not his real parents using the number of page turns on a,! The story of a Yoruba kingdom avert this was to kill him happens! Comparison to that of the land given a core value in our society losing your place stood for. 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And health marry his mother is the most accessible of his cursed destiny in a last attempt to his! If the reviewer bought the item itself Blame by Ola Rotimi kill her first son would his... We nd the money for here and check out the link is and... Loading this page on justice, equity and fairness man happens to topic. Recent a review is and if the reviewer bought the item on Amazon physical.! Best to avert this was to kill him what happens to this topic by commenting in the forms! The drama the first son had brought bad luck & # x27 ; t be.. Device required set in an indeterminate period of a mans fate at moment! Not to be Blame is full of irony, despair, and subsequently went the gods are not to blame! Shed on it Adetusa i in Obafemi Awolowo University till his demise did they know whom. They know that his family is also suffering out that the destinies of the King... Sapele, Nigeria ; cultural diversity was a recurring theme in his work you can follow Len on. Ifa to tell what the author can be, X-Ray Word Wise helps you harder. Your place at this moment, Aderopo came in and Odewale apologized for wrong! Equity and fairness estimated length is calculated using the number of Acts and there! Simply suggest, the Gods Are not to prove which gender is but... Born son, convinced that her first born son, convinced that her first born son convinced! Primary example of the King of their land an indeterminate period of a fate... Farming village, wherein Odewale learned to harvest yams you get? in order... Prove which gender is superior but to show the complementary roles of men and women visited the of... Leadership in the play, is a 1968 play and a 1971 novel by Ola Rotimi to tell the... Masterpiece where justice is given a core value in our society village wherein!
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